- explain each of his ideas
- find examples of real music videos to demonstrate each point
Andrew Goodwin
Goodwin's theory on music videos
- taken from "dancing in the distraction factory", 1992
- the music video became an art form with its conventions inside it with MTV coming along to give music videos their own platform to be used
Andrew Goodwin theorises that music videos have the following conventions also known more widely as common features
- a link between the lyrics and the visuals
vibe of the lyrics goes with the vibe of the video
- a link between the music and the visuals
- reflect common features of the genre of music
- use of intertextual references
audiences can make references to what they see, they can relate the music video to other forms of media
- notions of looking and voyeurism
- demands of the records label evident e.g. budget etc
record label controlling an element was they know what they can sell from the artist
- star image is a key focus
- performance based, narrative based, and/or concept based
link between the lyrics and the visuals - Taylor swift, love story
there is a link between the lyrics and the narrative of the music video
link between the music and the visuals - firestarter
visuals reflect the pace and rhythm of the music
visuals and the song
disjuncture - this means the original meaning of the song is completely ignored and the visuals in the video do not relate
illustrate - this is where the meaning of the song is made clear through the video. this is the most common use
reflects the genre of music
for example pop music conventions consist of bright colours and sometimes a narrative.
use of intertextual references
for example: thank you next - Ariana grande
this includes elements such as...
- her own life and relationships
- bring it on
- legally blonde
- mean girls
she is taking elements of chick flicks and incorporating it into her music video
inter = between, when media products refers to other media products
references could be literal e.g naming the name of another product
or could be more subtle and by the use of costume and carefully composed shots they make you think of other media products
why...
- good way to target a specific audience
- portray a theme or message
male gaze - showing woman bodies for a specific audience
e.g. blurred lines
reflective of the record label
this could reflect issues such as the record label's
- financial status
- power and connections
- other signed artists
- global location
- target audience
e.g. stormzy had no record label at the time, was British, with zero budget. his music video was filmed in an Ikea car park in croydon
e.g. not deep - stormzy
star image
this is a key focus
lots of close ups and other camera shots that focus on the singer/bands image
performance, narrative and concept based music videos
Goodwin thinks that music videos have at least one of the following three elements as their core focus
performance based - videos focus on a singer or band performing to camera, often with instruments
narrative based - videos have a story line
concept based - videos focus on some kind of arty, surreal, odd based concept
performance based
narrative based
concept based


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